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Successful at work, Fernanda is an example of women of the third millennium, free to make their choices and independent. Yet in her personal life she finds herself struggling to find a husband. Like other women of her generation, Fernanda put her personal life on hold to devote herself to her career and now suddenly feels her love life situation has become an emergency. Being single at 39 is quite different from being single at 29, after all "the fertile egg has an expiration date"!

在一个充斥着犯罪、暴力和危险联盟的世界里，一位被背叛的女性崛起成为冷酷女王。阿纳斯塔西娅·卡尔多纳将把天堂变成一个按她的设想、她的意愿和她的命令运转的领地。

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Cinepoem about the current Palestinian tragedy, with Brazilian films from 1922 and 1932 (the indigenous catastrophe), documentaries from 2023/2024, essays by Jean-Luc Godard, Hani Jawharieh and Mustafa Abu Ali, statements by Edgar Morin and Noam Chomsky, and a poem by Mahmud Darwich.

A talented group of kids, their musical director and a sound engineer, all of them mexican, involved in the recording of a latin american music disc. The stage is an old theatre in Mexico City. "Un talentoso grupo de niños, su director musical y un sonidista, todos ellos mexicanos, envueltos en la grabación de un disco de música latinoamericana. El escenario es un viejo teatro de la Ciudad de México".

Investigating the legends and corners of a family history.

Desire and guilt traverse the journey of Pássaro, the only son of the Tamai family, and Ângelo, the youngest son of the Miranda family and Marciano's brother. Living in a small town, Pássaro and Marciano were best friends as children, despite the constant tension that surrounded their neighbors. However, fights between their parents drove them apart and their friendship faded. Years later, Pássaro and Ângelo meet again at a party and become attracted to each other, experiencing a passion that defies prejudice and stigma. The relationship, however, provokes Marciano's anger and hostility and rekindles resentments of the enmity between the families.